Copyrights, Piracy in Tollywood - Vangapandu & Magadheera

I was watching the television commercial and subsequent appeal of Ram Charan Teja, about the efforts that the film-unit has put into this epic of recent times, Magadheera.

The hero appealed to the Telugu audience, not to encourage piracy and honor the copyrights of the creators of the movie.

While I respect his right to protect his rights, I realized the film makers’ double standards when I saw poet Vangapandu Prasada Rao complaining that his song was copied into Magadheera.

The song in question, “Em Pillado, Eldamostava!” is indeed a popular number that created many revolutionary leaders in villages and small towns since ages. Not many would know Vangapandu, but all Telugu audience would have listened to his song sometime.

I think it is unfair on the film unit’s part to use the lyric (even if it is just one line) and that too, use it for shooting filthy romance.

With this, the filmmaker’s request for curbing piracy and upholding copyrights appear to be sham.

Seems, Magadheera’s special effects are not just on the screen. They are off the screen too. Two theaters in the state which were screening this movie have witnessed accidents with reports of loss of life in both the cases.

Bapu Bomma

The reference to Bapu’s Sundarakanda in my last entry made me reflect on this legend of Telugu film industry. Bapu is known to capture & display the quintessential Telugu girl in his works. Be it the sketches & paints that he makes or the movies that he made.

For starters, Satti Raju Lakshmi Narayana, known as Bapu, is a famous artist, painter, cartoonist and film maker of Andhra Pradesh. His cartoons are so popular that they are featured in almost all magazines in Andhra Pradesh. His cartoon characters Budugu, Rendu Jella Sita, C Gaana Pesoonaamba are typical Telugu kids. His paintings of mythological characters are brilliant and of distinct style. Of course, talking about Bapu’s movies, we must appreciate Ramana who has been the back bone of the movies & stories with his rib tickling dialogues.

Bapu’s depiction of typical Telugu girl was so famous that, Bapu Bomma (Bapu’s Picture) became synonymous to “Beautiful Telugu Girl”. His films are equally great. Each and every frame of his movies are like a canvas paint and is filled with subtle humor. Starting from Sakshi to the recent Sundarakanda, he has made many great movies that will be remembered by the industry.

All his lady protagonists are brilliant portraits of that day’s woman. I watched many of his movies, countless times. I never get bored watching a helpless lady protagonist Sangeetha in Mutyala Muguu, an equal partner Divya Vani in Pelli Pustakam and a dominant sivangi Amani in Mr. Pellam.

However, when I think about his heroines, I always get surprised that most of them have failed to succeed in the industry.

He took Chandrakala as Sita in Sampoorna Ramayanam. She couldn’t make a big mark in the industry.

Next was Sangitha in Mutyala Muggu. She couldn’t make any big success after that.

Latha was the heroine in Andala Ramudu. No major success for her after that.

Divyavani was so beautiful in Pelli Pustakam, She was not seen around after that.

Amani was superb in Mr Pellam. She quit with in few years after that.

Kasturi/Kaveri was shown in Rambantu. She settled down on TV shows now.

I keep wondering whether this is Bapu’s talent that he can show the Bapu Bomma out of ordinary individuals or is it that his touch is spoiling the luck of the new heroines :)

Magadheera Movie

Crossing all the hurdles, Magadheera is released today. The movie is the second film for hero Ram Charan Teja and was eagerly awaited by the fans.

The movie was in news for the past few days, due to non filmy reasons. There were clashes between fans and police due to political reasons. Hero Ram Charan’s affiliation with PRP is the reason for all the drama at Tirupati, where the midnight screening was not allowed

Magadheera is reported to be a fantasy film, aka Arundhati where the story goes back and forth. The hero Ram Charan and his lady protagonist Kajal Agarwal could not unite in their earlier lives, which was set in 16th century. They reincarnate and meet after 400 years.

Director Rajamouli reported to have crafted brilliant art work and graphics to give a touch of period film to the portions of 16th century story. Music Director MM Keeravani re-mix his own number from Papa Chiranjeevi's Gharana Mogudu. Mumaith Khan does a Disco Shanti in the re-mix of 'Bangaru Kodi Petta' song. Chiranjeevi also shakes a leg along with son Ram Charan in this song.

The producers Geetha Arts spent liberally in not only the making of the movie, but also the promos. Yesterday, the prime time slot on TV9 was full coverage of the making of Magadheera, interspersed with interviews of Ram Charan Teja. Today’s prime time news also was liberally filled with Magadheera publicity.

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At the time of writing this, the website has 30+ telugu movies on it. Rajshri has plans to screen 1000+ movies on this website.

Along with movies, the site features popular telugu songs, movie trailers and TV Shows

So, no more waiting in queues for movie tickets. Just watch them on www.rajshritelugu.com website

Anushka Shetty's Address

Anushka Shetty, originally known as Maha Lakshmi, hails from Mangalore, the coastal city of Karnataka. She studied at Mount Carmel College. After mesmerizing the Bangalore youth with her charm, Anushka moved to Tollywood, debuting with Nagarjuna starrer 'Super'

Known for her glamorous roles, Anushka made a mark on the silver screen and bagged roles against all top heroes in Tollywood.

Recently I read somewhere that, nobody proposed to her so far and nobody wrote any love letters to her.

So, for all potential suitors out there, here is her address for you to write her: anushka.sherai@gmail.com

Neetu Chandra Vs Rajashekhar

Do you remember this petite beauty in Shekhar Kammula’s Godavari? She is Neetu Chandra, the upcoming actress from Patna, Bihar. She played the role of second heroine, Rajeswari, the cousin (maradalu) of hero Sumanth. Throughout the movie, Godavari, she will be in a dilemma whether to marry the hero or not.

Being in dilemma seems to carry into the real life for this heroine. Neetu Chandra is currently in a dilemma on whether to sue hero Rajashekhar and his producer wife Jeevitha for the alleged harassment that she faced at the hands of the actor and producer in their current film shooting of Satyameva Jayathe

Neetu Chandra alleges that, actor Rajashekhar and Jeevitha harassed her. She claims that the actor came drunk to the sets and abused Neetu. She claims that when she was sick, running high fever and was unable to even stand, the actor and producer dragged her to the sets and forced her to act in front of the camera. So, finally, she had to run away from the shooting. She is currently talking to her lawyers on how to sue Jeevitha and Rajashekhar

Reacting to the allegations; Jeevitha Rajashekhar, the producer of the movie Satyameva Jayathe, rubbished the allegations. She accused that the upcoming heroine is unprofessional towards her work. Jeevitha says that, Neetu demands air tickets and star hotel accommodation to all her assistants. Further, Neetu & assistants demand travel by Jet Airways only and not through low cost airlines. Jeevitha alleges that, Neetu already took all the remuneration and is now demanding more for the remaining schedules.

Jeevitha also adds that Neetu has a history of troubling the producers. Neetu seems to have troubled Shekhar Kammula during the Godavari Shooting. In fact, Jeevitha booked Neetu, as they were looking for a heroine who is not busy and who can cooperate to the fullest. But, it seems the trouble started on the day one of the engagement itself, when Neetu arrived for photo session. Jeevitha couldn’t cancel the heroine as all the other schedules are decided by then.

Jeevitha agrees that, as the heroine threw tantrums to complete the last 2-3 shots on the pretext of ill health, the producer chided her to get up and complete the task at hand and then go take a leave forever. Otherwise, it would have been a herculean task to reschedule the 2-3 simple shots and impossible to get all the call sheets of all the characters & technicians who are involved in the shooting. Jeevitha advises that such an adamant and non cooperative behavior is not good for an aspiring artist like Neetu Chandra

So, what is the truth in this new controversy? What can we say??

Satyameva Jayathe!!

Nandi Awards as a Congress Election Rally

I was appalled to see the Nandi Awards today. There is little to celebrate Telugu cinema there. It was all about praising YS Rajasekhar Reddy and his Congress Party.

For once, I doubted whether I tuned into the election rallies which were happening every other day these days.

Heroes Mahesh Babu and Nagarjuna were liberal in praising the chief minister YSR for all those things that he did. But, full marks go to hero Mohan Babu.

Mohan Babu who is known for his uncontrollable public utterances, went on to say that, “everybody is thinking that it is a Congress’ election rally. But its not! All these people who came to this event came here to display their affection on their dear leader, YSR. Nobody in the past has done this much to the Telugu Cinema as our CM YSR did. On that count, we all should applaud once more to our beloved CM”

So, are the decks clear for Mohan Babu too to join Congress?

My Name is Ram G Varma, I am a Psycho!

Oh! Boy, how did I miss this news?

A friend of mine told me that, couple of days back, there was a public gathering of all those frustrated with repeated torturous movies of RGV. They all announced a new movie with a title “Naa Peru Ram G Varma” with a caption “Nenoka Psycho Ni!” (My Name is Ram G Varma – I am a Psycho). They went on to shoot couple of scenes for this movie on this occasion.

The guest speaker at this gathering is the Censor Board Member Shobha Rani. She seems to have given an animated speech on the changing values of mainstream Cinema. She is very critical about Ram Gopal Varma’s mindless movies and their effect on the ordinary movie goers.

Apparently, all this is a reaction to the repeated horror movies that RGV is unleashing on to the Telugu cine goers. The last nail in the coffin was RGV’s new venture announced last week. RGV’s next project titled “Raktha Charitra”, is a chronicle of blood and gore of faction ridden Rayala Seema region of Andhra Pradesh. RGV visited wellknown factionist families over the past few weeks and noted down their versions to shape his story.

Now, we have to wait and see which of these two movies will draw more crowds!

Just looking at the titles, I’m game to spend my 3 hrs of time for a matinee show of “Naa Peru Ram G Varma, Neno Psycho Ni” than wasting my time on the chronicle of blood called “Raktha Charitra”

Priyamani, The Dusky Diva Of Tollywood

Today Priyamani, the Dusky Diva of Telugu Cinema, is receiving the national award for Best Actress; for her performance in Tamil Movie Paruthi Veeran. Considering the fact that Telugu/Tamil movie goers have a fetish for fair skin, it is indeed an achievement for Priyamani to rise to the top slot of Tollywood with in such a short time. This Nalla (Tamil: Good) Pilla is here to stay.

Her notable performance in Telugu was in Pellaina Kotthalo. Its a decent movie that has all the required commercial elements. Now that all my readers know the story of this movie, I’m not re-reviewing this movie. Most of the reviews wrote that the second half is too slow.. But I think, the second half of the movie is the real show. The sensual interaction between the estranged couple is marvelous.

I was surprised to know that the director Madan is a bachelor and he could capture some of those sensual feelings very well.

I haven’t seen much of Priyamani earlier. The last I saw her was in Yama Donga. There she had little to do. I remember that half the time she was crying and the remaining half dancing with hero. Of course she was cute in two songs "Labbaru Gajulu" and "Noonugu Meesalodu"

In this movie too, there are some good tunes like: Chelivo, Naa Chilipi Kalavo.....Indeed this beautiful song penned by Chaitanya Prasad was beautifully composed by music director Agastya with a melodious guitar lead.

Connecting with audience

Continuing on my last entry, I think RGV and many other directors are increasingly getting disconnected with the audience. I pity all those who threw money into Aag like projects.

From my little knowledge, I opine that the disconnection comes from the over confidence of these directors on their assessment of what their audience want. One basic thing that they forget is the fact that the audience’s tastes change over time. In this regard, RGV’s flogging the same old dead horse of “Antham” like stories and remaking them with slight changes and releasing on to us is a criminal wastage of resources. Of late, this kind of disconnection is seen more with the RGV’s school. Or is it that I expect more from RGV’s school and thus am finding these faults?

I remember watching a dreaded movie called “Nijam”. I spent many sleepless nights trying to understand what that movie was all about. Director Teja cooked an unpalatable story and brings an angle of student power and a personal revenge and got lost in the process. This was followed by his next disasters “Jai” & “Oka Vichitram”. The movies are so pathetic that, I don’t want to waste my key strokes to write on them. These movies eroded all the impression that he created with his “Nuvvun Nenu” & “Jayam”. Remember the protagonist’s mother’s dialogue in Jayam that “If you get the girl, they will kill you. If you don’t get, I’ll kill you!” That is what connects with audience.

Same is the case with Krishna Vamsi. I don’t understand why he made “Chakram” and “Danger”. Even his Chandamama is a boring flick. He was lucky to get away with his HAHK like scenes in Ninne Pelladata & Murari. Most of the people are not convinced by the Attla Taddi celebrations shown in Ninne Pelladatha.

Another movie that comes to my mind is “Sye”. The director had to educate the audience about the Rugby game. Just because the sports related movies are making money, he went up and made a movie with Rugby as a central theme. I guess, in Chantabbai, Sri Lakshmi writes a story. The story is about how to make “Rasam”. Sye was like that.

It not just with new age directors. Even old timers and mavericks are failing these days. Ace director Raghavendra Rao’s last few flicks are flops. One of the very few sensible directors of Tollywood, Bapu dished out Sundarakanda, a flop. There were many such instances where the story has no relevance to the period.

Looking at the trend, I prefer Ram Narayana’s school to Ram Gopal Varma’s school! I’m sure that all my readers agree that Ram Narayana’s works like Gomatha Vratham are much more money spinning entertainer than the current duds :) :) They are like a circus on the big screen and value for money for many front benchers.

So, to conclude, I urge that our directors start connecting with the audience, so that the industry will see some meaningful pictures.

Trivia: Watch Donga Mogudu song “Nallanchu Tella Cheera”. The heroine Radhika sports all kinds of dresses but not a “Nallanchu Tella Cheera”.. Not even a Sari

More on RGV

No, I’m not saying that RGV is moron. Readers note the space between each of the three words :) It’s just that his recent movies are moronic!

Ram Gopal Varma and I have many things in common. We have links to Vijayawada. We are linked by our college (he happens to be a super senior). Our favorite heroine is Sridevi. We both liked her rain song in Mr. India. But the similarities end there. Ramu disappointed me by pampering Urmila & Nisha Kothari like heroines in his movies. I firmly believe that, they are the reason for all his flops. He’d’ve tried a Rambha or a Nagma for a change. :)

RGV can make an ordinary story into a gripping narration, coupled with a brilliant taking. It’s a gift that is demonstrated in Shiva, Kshana Kshanam & Gaayam. But the problem with RGV is that he is so obsessed with some themes, he ends up throwing the same story on to audience many a times. His Shiva, James and a future production used the same theme. His Gayam, Sathya loosely follow the same track. His protagonists in Gaayam, Antham & Satya don’t talk much.

Further, RGV is inspired by some specific movies, he ended up copying them frame to frame. Godfather theme is seen in Gaayam, Sathya, Company, Antham. His earlier movies Kshana Kshanam was a complete lift from a 1984 Hollywood movie “Romancing The Stone” (Michael Douglas, Catherine Turner). Sridevi’s shivering dialogue of “Devuda..Devudaa..” can be seen in Turner’s expressions in the first few scenes on her arrival in South America. The scene where a villager gets out of the bus with his Pig in hands, is a direct lift. The theme that a ransom is kept somewhere and the protagonists chase the ransom is retold in a desi style. The green woods of South America are replaced with a hyderabadi neighborhood. Some of the shots taken by Ramu were completely inspired :) by director Robert Zemeckis of Romancing The Stone. Watch it if you get a chance.

As I said earlier, RGV’s obsession with Romancing The Stone is carried into “Daud”. Rememeber, the “My father is a great hunter” dialogue in Daud? That is a character in Romancing The Stone, who is a south American villager who admires/loves the heroine and helps the heroine (and thus hero) to get out of the trouble in the locale. So much to creative/inspirational direction!

However, Ramu’s taking is really brilliant in some of his movies. Be it Antham, be it Anaganaga Oka Roju (they screened it special for us in Vijayawada – Urmila & RGV came to our campus). I love Gaayam so much that I saw it countless times. I never bothered about the story. I just loved the narration. The thoughtful songs penned by Sirivennela were an asset to the movie (will write on that some other time). The taking was brilliant.

Trivia: If my memory serves me right, the blooper in Gayam is that, the Hero & Villian uses the same car (or the taxi from same company). There will be one scene where the Hero is shown leaving in his car. You note the banner on the car. The next scene will have the Villain arriving from Delhi. He walks out of the airport and gets into his car. You will see the same banner on the car.

To sum up all my banter, I’d say, RGV & his students should start connecting with audience while making their films. We don’t want to throw our hard earned money into Aag!

RGV’s new movies – Contract & Phoonk

Director Ram Gopal Varma started moving away from the under world topic and moved on to terrorism as a theme for his next movie Contract. The film casts newcomers Sakshi Gulati & Adhvik Mahajan.

I’d say, terrorism is not new to RGV. He’s been terrorizing the audience with his Kaun & Aag like flicks ;) His fetish for horror still continues, as he is about to dish out another horror movie “Phoonk”. It has the Kannada hero Sudeep in the leading role. This is one of the best selections that RGV made after his gimmicks with newcomers and his Matondkar & Kothari’s. Sudeep was famous for his neat action in Sparsha, Huccha & Ranga SSLC. I hope he will do good in this role.

Phoonk is a story on black-magic & witchcraft. All my Telugu readers can safely assume that the story could be on the lines of famous novels of Yandamuri Veerendranath. He wrote a series of horror novels in 80s – Tulasi Dalam, Tulasi, Ashtavakra, Kaashmora. All these were tried on silver screen and have badly fared in the past. I saw the Tulasi movie with Rajendraprasad playing the Kaadra role. I found it ok, but some how it didn’t connect with audience. Later the stories were tried on small screen with little success. Then they were tried on smaller screens (I mean, other regional language). All that reminds me the fact that, even RGV’s first attempt on horror theme was loosely based on these novels. Remember Raathri (Hindi: Raath) with Chakri & Revathi?

Songs of Babu

Babu movie, brings the lingering memories of a beautiful song. It used to come on Janaranjani on radio and was always an attention grabber.

It starts with heroine asking the protagonist Sobhan Babu, how she is looking in a dress. He says, his eyes were not enough to see the contours. She offers him to take her eyes too and enjoy! Here it is:

Ennenni Vampulu, Enneni Sompulu
NaakunnavEmo RendE Kannulu!!
Ela? Ela? Elaa ChoosEdi? Edi ChoosEdi?

Chalakunte, Kaavalante, Naavi Kooda Teesuko
Tanivi Teera Choosuko! Nee Tanivi Teera Choosuko!

And so on..
Now that we are in the re-mix era, I dont get surprised, if a Smitha re-mixes this sometime!

Director VVN Aditya, Ileana & Other thoughts

Director VN Aditya signs up Ileana to pair with Nitin for his next film. The film is about to start later this month after he is done with his current work “Rainbow”.

Talking about Aditya, I always wonder why this talented director is unable to get back on the success track that he promised with his first movie, “Manasantha Nuvve”. He was one of those few folks who planned his career in Tollywood and started his preparation from his college days at P.B. Siddhartha College at Vijayawada. He followed it up with apprenticeship under top directors. The notable one was as an assistant director under Singitham Srinivasa Rao for Bhairava Dweepam, which was a blockbuster hit.

He sure has a keen eye for beauty, as does his guru K Raghavendra Rao. It is amply displayed in “Sriram”, “Manasu Maata Vinadhu”, “Boss”. The picturization of “Tiya Teeyani Kalalanu Kandame Telusu” song on Anitha & Uday Kiran was brilliant and sensual. It was one such songs which makes us believe that he is one of the few sensible directors who pays attention to good and relevant lyrics in movies – I liked the feeling “Ennallaina NenundiPogalanu Nee Kougillalo!” that too coming from a heavy voice of Bombay Jayshree

Looking at all the five six movies that he did so far, I safely conclude that he better go back to the winning formula of cut n paste that he used for “Manasantha Nuvve”. The story of his first movie was loosely (or tightly?) based on the old Shobhan Babu, Lakshmi & Vanishree starrer titled “Babu”. In that movie, Shobhan Babu and Vanishree get separated when they were kids. The only memory that can join them was a rupee coin which they split into two parts ( a head & a tail of course) and keep one piece each. Now they get separated and grow up. Heroine Lakshmi, gets in to make it a triangle as she starts wooing our hero. Finally, somehow the childhood friend Vanishree comes in, lives with hero, gets to know him, tease him without revealing her identity and finally joins him.

That’s a cute story and lot of scope for romantic drama that Aditya created as Manasanta Nuvve. He added some more romantic interludes from other good movies in to his first venture. One that comes to my mind was when the hero Uday Kiran holds heroine Reema Sen’s hand and asks her to apologize. She teasingly threatens him – Ippudu vadalaka pothe, jeevithantham ilaage pattukovaali!!” (If you don’t leave my hand now, you will have to hold it forever = marriage). This was a fantastic scene which touched me, when I first saw it in a Vijaya Nirmala & Krishna movie – I guess that was a movie by name “Meena”.

So, my advice to Aditya is that there are many such romantic dramas that can be taken out from Tollywood history and can be retold to the current audience. Go back to the board, pl!

Mallepuvvu blossoms again

The new Mallepuvvu seems to make news with its Tamil & Hindi rights already booked by Ilayaraja & Bhoomika Chawla. The movie takes its name from Natabhushana Shobhan Babu’s all time classic, Mallepoovu. Lets wait and see how much fragrance does this second mallepoovu brings to the Telugu Cinema.

While on that topic, Mallepoovu has a special place in my memories of Telugu Cinema.

When I was a kid, I was fond of the song “Zimbamba Zimbamba, Bomba Bomba Zim”. Whenever it came on Janaranjani I used to turn the radio full volume on. Whenever mom applied oil to our head, we used to imitate Malish Ramdoss, played by Rao Gopalarao in the movie. I guess R Narayanamurthy of Erra movies played as an assistant to Rao Gopalarao in that movie.

Over the time, when I saw it for the second, third & nth time, I started getting the fragrance of Mallepoovu. All the songs are great hits.

The title song of the movie: “Gagana Veena Sarigamalu Paadaga, Nee Jhaghana Seema swara jatulanaadaga… oho…Lalithaa, Naa Prema Kavitha”.

Then, many a times I lost my self, listening to Devulapalli’s “Chinna Maataa, Oka Chinaa Maata!.... Sande Gaali Veeche, Sanna Jaaji Pooche”. Lakshmi brought so much oomph to the vamp’s character, that the vamp became heroine of the movie.

Perhaps, it is the only tragedy movie that I ever watched for the second time. I normally avoid tragedy movies. As a middle class cine-goer, I believe that we have enough tragedy around us and we need to get the best ROI for the money that we are spending in a theatre. You might’ve noticed that the only fun part of the movie was in Malish Ramdass role.

But, Mallepoovu is different. Be it a helpless crying of the protagonist Venu in “Sakhiyaa! Neeventhati Vanchana Chesaavu, Siri SampadaKammudu Poyaavu,VidaNaaduta Neeku Sulabham, Ninu Viduvadule Naa Hridayam”

Or his desperation in “Evariki Telusu, Chitikina Manasu! – Jagatiki Hridayam Ledani, Naa Janmaki Udayam Lene Ledani”, it somehow connected with the audience and they watched the hero struggling all through the movie.

And then there are some melodies like “Chaka Chaka Saage Chakkani Bullemma” & “Nuvvostaavani Brindaavani”. The movie for sure is a land mark and must-see for all Telugu Movie Fans.

Gollapudi at Atlanta

The Telugu Association of Atlanta (http://www.tama.org) conducted some events over the weekend. While it is taking up initiatives to start a Telugu course at Emory University, I was more interested in the get-together with renowned writer, actor Gollapudi Maruthi Rao.

Gollapudi as many Telugu cinema goers acknowledge, is a versatile artist. He had an illustrious film career as a villain, comedian and character artiste. I still remember his role in Intlo Ramayya Veedhilo Krishnayya. No one else could have played that role to that perfection. Another memorable role was that he played in Smasaram Oka Chadarangam.

However, I admire Gollapudi more as a writer than as an actor. In fact, he rose to stardom through his writings. Not many know that he was one of the best screen play writers of Telugu cinema. He won acclaims for his work in 1965 for the film Dr Chakravarty. He had many more popular films in his kitty as a screenplay writer.

His contribution to Telugu Stage is even more greater. Some of the finest stage plays were penned by him since his college days, and during his stay at Andhra Prabha and during his All India Radio career. He wrote the critically acclaimed “Kallu” which was later made into a movie.

I am a fan of the writer Gollapudi, who used to write a weekly column – Jeevana Kaalalm - in Andhra Jyoti. I used eagerly await to read his satirical writings on contemporary politics and social issues. It inspired me in many of my own writings. One of the characters of his column is “Om Namassivaya”. He brought subtle humor with the innocent ramblings of om namassivaya with the author.

With the demise of his youngest son, Srinivas, in 1992, Gollapudi’s career as an actor, as a writer has calmed down. He sounded more philosophical then on. The last I saw him was as an anchor in a TV show. I guess it was Praja Vedika on Gemini TV. He has a great voice and an exceptional ability of expressing his thoughts in lucid Telugu. I wish this great man lives a happier life and dishes out many more writings, acts that enthralls all of us.

For more on Gollapudi, pl visit his site http://www.gollapudimaruthirao.com/index.htm